Mini-Goals

Divide a typical 120-minute movie into eight segments and you get eight 15-minute segments. Each 15-minute segment the hero must be pursuing a goal. In “Die Hard,” the goals of these eight 15-mintue segments look like this:

• Get to the office party. (Success)
• Make up and get back together with his wife. (Fail)
• Escape terrorists as they take over the party. (Success)
• Contact the authorities. (Success)
• Save the SWAT team. (Success)
• Find out what the detonators are for. (Success)
• Save the hostages. (Success)
• Rescue his wife. (Success)

Without a mini-goal to pursue every 15-minute segment, your story can feel aimless. By providing mini-goals for the hero to follow, the story keeps moving forward. This is what the goals of “Terminator 2” look like:

• Find clothes. (Success)
• Find John Connor. (success)
• Rescue John Connor. (Success)
• Rescue Sarah Connor. (Success)
• Get to Sarah Connor’s safe house in the desert. (Success)
• Stop Sarah Connor from killing SkyNet’s creator. (Success)
• Blow up the SkyNet lab. (Success)
• Kill the evil Terminator. (Success)

Watch a bad movie and chances are good there isn’t a clear mini-goal that the hero is pursuing, which makes the story feel like it’s dragging and going nowhere. Put mini-goals along the way and each mini-goal acts like a stepping stone that moves the hero closer to fulfilling the ultimate goal of the story.

Screenwriting is more than just writing a script. It’s about crafting a story. Before you start writing, make sure you have a solid story structure to follow. That way you’ll be more likely to create a great script that could be turned into a great movie.

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