March 2015

Showing 1 - 10 of 13 results

Stories Are About Change

Every story and every scene is about change. If something isn’t changing in your scenes, then your scenes don’t move the story forward. You can’t...
Read More »

Setup, Reminder, and Payoff

There’s something satisfying about the number three. In stories, this underlying foundation of three forms the basis for foreshadowing. First, you introduce something, often in...
Read More »

When Your Villain is a Good Guy

Most of the time your hero is a good guy and your villain is a bad guy, but sometimes those roles can be switched the...
Read More »

Love and Hate

All the action, special effects, and computer-generated images are pointless (think “Jupiter Ascending”) if there isn’t a strong emotional component to your story, and the...
Read More »

Make the Worse Happen in the End

Every story begins with a promise. Something is going to happen. then at the end, that something needs to be even worse than expected by...
Read More »

The Parallel Goals of the Hero and Others

The best way to emphasize the goal of your hero is to create a parallel goal in a secondary character. By seeing the goal of...
Read More »

Begin with Something New and End with Something Final

Many people have great ideas for screenplays. The problem is turning that great idea into a compelling page turner for the next 110-120 pages. That’s...
Read More »

Avoiding 7 Crucial Log Line Mistakes

Script Magazine has an interesting article about 7 crucial log line mistakes. While you should read the article, here’s a summary of their list: It contains...
Read More »

The Invincible Hero

In most stories, the hero is an underdog battling against a more powerful villain. Think of “Rocky,” “The Karate Kid,” “Die Hard,” “Avatar,” “The Hunger...
Read More »

How Will It Make Money? and Why Should I Care?

The two questions you should ask yourself before writing any screenplay is “How will it make money?” and “Why should I care?” When a studio...
Read More »
Scroll to Top