January 2019

Showing 1 - 10 of 10 results

What Does the Hero Want?

Right from the start, you have to define what your hero wants. Then in the end, you have to answer the question whether the hero...
Read More »

Iconic Scenes

Every movie follows a specific genre. In most cases, a movie actually follows two genres where one genre defines the story and the second genre...
Read More »

Songs in Musicals Tell a Story

Musicals tells story through song. In good musicals, just by listening to each song, you can understand what the hero wants, what the villain wants,...
Read More »

Conflict, Emotion, and Setup/Payoffs

Every scene in a screenplay must have a purpose. To make a scene interesting, it must advance the story and to do that, it must...
Read More »

Internal vs. External Struggles

“Mary Poppins Returns” is nowhere near the classic that the original “Mary Poppins” was, but it strives mightily anyway. One huge difference between the two...
Read More »

Life-Changing Events in Act I

In Act I, which represents the first 30 minutes of a typical 120-minute screenplay, the hero is stuck in a dead end life but extremely...
Read More »

The Inner and Outer Goals

Your hero must have a goal that starts the story moving forward. As long as the hero continues pursuing this initial goal, then the story...
Read More »

Make Life-Changing Events in Every Act

Look at the difference between a mediocre story and a great one. A mediocre story drags along with nothing much happening. On the other hand,...
Read More »

Start with Two 60-Minute Segments

When many novices get an idea for a story, they immediately rush to write the screenplay. This inevitably winds up creating a story that runs...
Read More »

Turning the Physical Story Into an Emotional Story

The biggest reason movies flop is because the screenplay focuses too much on physical action while ignoring the emotional change that makes any story worthwhile....
Read More »
Scroll to Top