Teach The Hero a Lesson

Audiences empathize with the hero, so whatever experiences the hero goes through, the audience can go through those same emotional ups and downs. One way to keep your audience and your hero going through an emotional roller coaster is to teach your hero a lesson.

In the beginning of your story, the hero represents the opposite of your theme. By the end of your story, the hero has changed to embrace your theme. In the middle, the hero first learns about the theme and realizes that his or her old way of life can never be sustained. Because your hero changes over the course of your story, the hero learns a lesson.

In “A Clockwork Orange,” the hero is a gang leader who thinks he can do whatever he wants to others. When he’s finally caught, he agrees to go through an experimental procedure that will force him to be good. However, that conditioning essentially robs him of the choice to decide whether to be good or not. That inability to choose makes him an easy target for all his previous victims to turn around and torment him. Finally at the end of the story, the hero regains the ability to choose again, and that’s when he realizes that the choice to be good or bad rests solely with him.

In “Liar, Liar,” the hero thinks he can lie his way through life. By the end, he learns that he has to tell the truth because telling the truth can get him what he wants as well. From start to finish, the hero has learned a lesson.

In your screenplay, make sure your hero learns a lesson. The beginning and ending of your story must show opposite extremes of your hero to create change. The bulk of your story is about teaching your hero how to change.

In “Monsters, Inc.” the hero is a monster who specializes in scary little kids to capture their screams that power the monster world with electricity. The hero’s lesson is to learn that scaring kids is wrong, but making them laugh is much better.

Think of any of your favorite movies and chances are good that the hero learns a lesson along the way. In the beginning, the hero is stuck in a dead end life and by the end, the hero (and the audience) has learned an important lesson which is related to your theme. When both your hero and your audience feel they’ve learned a lesson, then you’ll have created a compelling story.

[xyz-ihs snippet=”Google-Horizontal-Ad”]

Leave a Comment

Your email address will not be published. Required fields are marked *

Time limit is exhausted. Please reload CAPTCHA.

Related Posts

The “Pursue a Great Cause” Emotional Logline

The “Pursue a great cause” emotional logline often appears in true stories since it requires the belief that someone would actually care about something bigger...
Read More

The “Survive” Emotional Logline

The “Survive” emotional logline is the most basic emotion because everyone wants to live. Survival can directly threaten the hero’s life or can be more...
Read More

The “Find Love” Emotional Logline

One common emotional goal is the “Find love” emotional logline where the hero searches for true love. Everyone can understand the desire to find true...
Read More

Two Types of Scenes in Every Story

Watch and study full-length movies, but make sure you rewatch specific scenes from your favorite movies. Study how a scene grabs your attention, how it...
Read More
Scroll to Top