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The Backstory

If you read most books on writing a novel, they suggest you create a backstory for your characters. The main point of any backstory isn’t...
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Action and Reaction

When plotting your story, always think of action and reaction. That means something interesting happens and then something else happens as a result. This constant...
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‘What Makes a Classic Movie?’

Every weekend Hollywood trots out their latest movies and every weekend, a large majority of those movies aren’t very good. Rather than try to find...
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Neurocinematics

Here’s something to keep your eye on. It’s a new term called neurocinematics where moviemakers use neurofeedback to help refine film elements such as scripts,...
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Eliminate Characters Who Never Change

The surest sign of a mediocre movie is when secondary characters don’t change. In “Maleficent,” then fairies guarding Sleeping Beauty never change and Sleeping Beauty...
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Action With Emotion

Watch a mediocre movie like any of “The Expendables” trilogy and you’ll see lots of explosions and gunfire with nobody getting cut. “The Expendables” is...
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Show Your Hero as Vulnerable

One of the best ways to make a character feel real is to show them in a vulnerable situation. In “Guardians of the Galaxy,” Rocket...
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Keep Putting on the Pressure

There’s an old saying about story telling where you put your hero in a tree and then throw rocks at him (or her). The basic...
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The Traumatic vs. Unresolved Past

The past always causes problems for the hero. Every story is about the hero trying to fix his or her life due to a problem...
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The Two P’s: The Past and the Parallel

Study the best movies and you’ll notice they include two P’s: the past and a parallel story. The past has created a problem that the...
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