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The Opening Defines the Tone

From the beginning, your story has to grab the audience, but more importantly, it has to set the tone for what type of story you’re...
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A Study of Heroes and Villains

In most movies, the villain starts off as a bad guy and remains a bad guy. That’s fine, but in bad movies, the hero also...
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Multiple Characters Pursue Multiple Goal

The key to a bad movie is that the hero never changes or learns anything. The key to a really bad movie is when all...
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Posing Questions, Not Giving Answers

What’s more appealing? Seeing someone attractive who you have never seen before? Or seeing someone attractive who you’ve known for years and know all of...
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Breaking the Fourth Wall

The best stories are self-contained tales. The worst stories rely on the audience knowing something outside of the movie, which is similar to theater where...
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Why Your Villain Must Define Your Story

Your villain must be an integral part of your story from start to finish. Fail to do that and you’ll create a less compelling story...
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Romantic Comedies

Romantic comedies follow the same four-part structure: Boy and Girl are lonely, Boy meets Girl, Boy loses Girl, and Boy finally gets Girl. Although the...
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Making Characters Interesting

If nobody cares about your hero, your story is sunk right from the start. Here are some techniques to consider to make your hero one...
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The Nature of Conflict

A story is only as interesting as its conflict where your hero battles to reach a goal. However, there are more than one way to...
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Character vs. Self

The most interesting stories involve a character struggling with some internal flaw or mistake that’s haunting the hero. The least interesting stories are when the...
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