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Scenes Tell Mini-Stories

Here’s how you can tell if a scene is working. Does your scene tell a mini-story with characters striving for a goal and then achieving...
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Consider Anything But Screenwriting

Look at some of the latest movies and you’ll notice a trend. Almost none of them are based on original screenplays. If they are based...
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Make Things Bad, Then Make Them Worse

In every scene, you need escalating conflict. This keeps the audience’s attention because at first, something important is at stake. Then things get much worse...
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Stretch Emotions to the Extreme

There’s an Australian stop action film called “Mary and Max,” which is about a lonely 8-year old Australian girl named Mary who’s raised by an...
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Emotional or Physical Change in Every Scene

Every scene needs to change the story. If a scene doesn’t change this tory in any way, it’s redundant and needs to be cut. If...
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Creating an Emotional Ending

In bad movies, the ending is nothing but pure action. Watch a lousy movie like “The Net” where the hero hits the villain in the...
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Let the Audience Experience Triumph

In a bad action movie, the villain ties the hero to a chair in a locked room and pumps the room full of poison gas....
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Even Villains Have Problems

The stereotypical villain twirls his mustache while wearing all black clothes and cackling with laughter as he pursues his evil goal. Such all-evil villains are...
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Make Every Character Flawed and Appealing

One-dimensional characters are boring precisely because they’re either completely good or completely bad. Watch a bad James Bond movie (such as “A View to a...
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Learning Storytelling Techniques From Pixar

Pixar has created some of the best movies in the past few decades. Although they’ve had a few misfires (“Cars 2” and “The Good Dinosaur”), even...
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