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Defining the Plot

When you start off with an idea for a screenplay, you probably have no story. An idea is a starting point but isn’t a complete...
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The Beginning Mirrors the End (and Vice Versa)

Every story is about change and the simplest way to identify your story’s change is to define the beginning and ending of your story. The...
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Focus on the Hero’s Fear

Every character has a fear. The hero has a dream but is blocked by fear. To achieve this dream, the hero must learn to become...
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Man vs. Nature, Man, and Self

Every story is about conflict and that conflict comes from a villain. It’s easy to see that the villain might be a person such as...
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Turn the Hero Into the Villain

Once you know who your hero is, you automatically know who your villain is. That’s because your villain is the anti-hero but stronger and more...
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The Four Parts to Changing the Hero

Take a 120-minute movie and divide it into four equal 30-minute parts. Then each part tells the story about the hero as the hero gradually...
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The Goal to the Goal

In every story, a hero wants something. That’s the hero’s dream and that’s the initial goal the hero has at the beginning. However, there’s always...
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Software Won’t Make a Difference

There are plenty of fine screenwriting word processors on the market such as Final Draft and Fade In Professional. While these programs can make the...
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Kill the Villain

If you want to write a mediocre movie, let the villain live. Even worse, let the hero go through the bulk of your story without...
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The Setting is a Villain

When most people think about plotting a story, they usually think of how a villain can keep throwing obstacles in the hero’s path. Since the...
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