The beginning of Act I poses an initial question. Then the end of Act III answers that question. In...
The beginning of Act I poses an initial question. Then the end of Act III answers that question. In...
Watch “Detroit” and you’ll see a movie that feels more like a documentary than a story. As a result,...
“Writing Scenes for Screenplays” is an updated and retitled edition of my previous “Making a Scene” book about writing...
Watch “Nine Lives” and “The Emoji Movie” to see a good idea poorly executed. In “Nine Lives,” a selfish,...
There’s a pattern among bad movies like “King Arthur” and “The Dark Tower.” Instead of setting up information that...
Stephen King’s series, “The Dark Tower,” consists of eight books. Given the popularity of Stephen King’s novels and the...
Your hero must change. Without change, your story will feel flat and dull. Think of bad James Bond movies...
In every story, there must be a past. The reason for creating a past is for the hero and...
In every story, a hero has an initial dream. In “Star Wars,” Luke wants to leave his uncle’s farm....
There’s a huge difference between a good idea and good implementation. You can have a good idea but implement...
The two earliest scenes in any screenplay must introduce the hero and the villain. In some movies, the villain...
Every story is about a hero and a villain. If the hero wins, the villain loses. If the villain...
First place winner in Scriptapalooza’s 2023 screenwriting competition for the supernatural horror screenplay titled “Nightmares From a Past Life”. Author of “The 15 Minute Movie Method”, “Story Starter”, and “Writing Scenes for Screenplays” in addition to over 50 computer books. Writer of “Three of a Kind”, a situation comedy produced by San Diego State University’s film class that won a student Emmy award. Designer of the board game “Orbit War”, published by Steve Jackson Games, that simulates satellite warfare in the near future.