Story Structure

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Get Emotional

The best stories move us emotionally, so if you want to create the best story possible, start by tapping into a strong emotion of your...
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Mini-Goals

Divide a typical 120-minute movie into eight segments and you get eight 15-minute segments. Each 15-minute segment the hero must be pursuing a goal. In...
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Murphy’s Law

Murphy’s Law states that anything that can go wrong will go wrong. The screenwriting world is no different. You want to make everything go wrong...
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Halfway Through, Things Fall Apart

The next time you watch any two hour move, time your watch to the one hour mark. When you hit the one hour mark, notice...
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Haunted by the Past

In every story, someone is haunted by the past. Often times it’s the hero, such as Rick in “Casablanca” who’s bitter over a broken love...
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Defining the Hero’s Impossible Goal

Every hero faces a seemingly impossible goal. Sometimes that goal can be earth-shattering such as in “Terminator 2” where the goal is to kill the...
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Highlighting the Theme

When your story has a strong theme, it has a strong focal point that everything revolves around. Your story is nothing more than a single...
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It’s Never the High-Concept

When coming up with an idea, many screenwriters focus solely on a high-concept idea such as “What would happen if a man-eating shark were terrorizing...
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High-Concept and Emotional Change

Most people look for the high-concept idea in a story such as “A lone policeman faces off against an army of terrorists in a skyscraper”...
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Gradual Realization

A good story should be like a puzzle. Initially the story may be confusing but intriguing. Gradually as the story unfolds, you start to unravel...
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