Story Structure

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Conflict, Emotion, and Setup/Payoffs

Every scene in a screenplay must have a purpose. To make a scene interesting, it must advance the story and to do that, it must...
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Internal vs. External Struggles

“Mary Poppins Returns” is nowhere near the classic that the original “Mary Poppins” was, but it strives mightily anyway. One huge difference between the two...
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Life-Changing Events in Act I

In Act I, which represents the first 30 minutes of a typical 120-minute screenplay, the hero is stuck in a dead end life but extremely...
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The Inner and Outer Goals

Your hero must have a goal that starts the story moving forward. As long as the hero continues pursuing this initial goal, then the story...
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Make Life-Changing Events in Every Act

Look at the difference between a mediocre story and a great one. A mediocre story drags along with nothing much happening. On the other hand,...
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Start with Two 60-Minute Segments

When many novices get an idea for a story, they immediately rush to write the screenplay. This inevitably winds up creating a story that runs...
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Turning the Physical Story Into an Emotional Story

The biggest reason movies flop is because the screenplay focuses too much on physical action while ignoring the emotional change that makes any story worthwhile....
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How to Create an Emotional Story

When most people come up with a story, they focus on the high-concept idea. In “Bumblebee,” the latest Transformers movie, that high-concept could be what...
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The YA Genre

The YA (Young Adult) genre has been hot ever since the success of “The Hunger Games” and “Twilight.” However, since then, there have been many...
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The Hero Must Be Proactive

The quickest way to make a boring story is to forget the number rule of storytelling: the hero must be proactive. That means whatever happens,...
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