Story Structure

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The Hero’s Biggest Fear

In every good story, the hero has a fear that he or she hopes will never happen. That’s why you need to make sure that...
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The Unsolvable Dilemma

What makes a story particularly fascinating is when the hero gets him for herself trapped in an unsolvable dilemma created by the hero. In “Captain...
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The Symbol of Hope in Act III

Act I poses a question that finally gets answered in Act III. In romantic comedies, Act I poses the question on whether the hero will...
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Follow the Symbol of Hope (Act IIa and Act IIb)

A typical 120-minute movie can be divided into four Acts of 30 minutes each: Act I Act IIa Act IIb Act III In Act I,...
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Follow the Symbol of Hope (Act I)

Initially, the hero and villain have no idea the other person even exists. To bring the two of them together, the villain must introduce something...
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The Act II Structure

The beginning of Act I poses an initial question. Then the end of Act III answers that question. In “Die Hard,” the beginning of Act...
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Make Us Care About the Hero

Watch “Detroit” and you’ll see a movie that feels more like a documentary than a story. As a result, “Detroit” explains what might have happened...
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“Writing Scenes for Screenplays” Released

“Writing Scenes for Screenplays” is an updated and retitled edition of my previous “Making a Scene” book about writing scenes. This updated version includes more...
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Execution, Not Ideas

Watch “Nine Lives” and “The Emoji Movie” to see a good idea poorly executed. In “Nine Lives,” a selfish, businessman gets turned into a cat...
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Stripping Away Emotional Meaning

There’s a pattern among bad movies like “King Arthur” and “The Dark Tower.” Instead of setting up information that pays off earlier, bad movies simply...
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