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The Parallel Goals of the Hero and Others

The best way to emphasize the goal of your hero is to create a parallel goal in a secondary character. By seeing the goal of...
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Begin with Something New and End with Something Final

Many people have great ideas for screenplays. The problem is turning that great idea into a compelling page turner for the next 110-120 pages. That’s...
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Avoiding 7 Crucial Log Line Mistakes

Script Magazine has an interesting article about 7 crucial log line mistakes. While you should read the article, here’s a summary of their list: It contains...
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The Invincible Hero

In most stories, the hero is an underdog battling against a more powerful villain. Think of “Rocky,” “The Karate Kid,” “Die Hard,” “Avatar,” “The Hunger...
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How Will It Make Money? and Why Should I Care?

The two questions you should ask yourself before writing any screenplay is “How will it make money?” and “Why should I care?” When a studio...
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Finding Great Movies

One sure way to be disappointed every week is to watch the latest Hollywood offerings in the theaters. A large majority of movies simply aren’t...
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Multiple Change, Multiple Stories

The quickest way to make a dull screenplay is to focus solely on the hero. Today’s screenplays need multiple stories so that way multiple characters...
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The Beginning Foreshadows the End

The best stories act like book ends with a beginning that mirrors the end. In “Whiplash,” the hero is practicing the drums in a room...
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No Change, No Story

“Kingsman” and “Mortdecai” are both stories about someone having wild adventures in an international arena, much like James Bond movies. The big difference is that...
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Learning From Bad Movies

It’s easy to watch  great movie and either be inspired or totally depressed thinking you could never write something half as good as what you...
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