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Start After the Story Begins

Read most novice’s screenplays and their scenes often begin with a boring event. Two characters greet each other, sit down, and start talking. That’s a...
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What’s the Worst That Could Happen?

Unless you’re writing a tragedy, your hero never gets completely defeated. However, he or she must constantly be challenged and backed into a corner. To...
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The Villain’s Ulterior Motive

Initially, the villain seems to have one goal but the hero later finds out that the villain has a far more sinister, evil goal with...
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Creating Emotional Conflict

Nobody watches a movie over and over again for the physical action. Nobody watches “Star Wars” to watch the dated special effects of X-wing fighters...
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Put Mystery and Conflict in Every Scene

The beginning must hook the audience right from the start and the best way to do that is through conflict or mystery. Conflict is about...
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Start Your Story After It Already Begins

Mystery and conflict form the heart of every scene in a story, but it’s especially important in the beginning to grab our attention and foreshadow...
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Make Sure Every Major Character Changes

The worst movies are where nobody changes. Just watch a lousy James Bond movie like a “A View to a Kill” and you’ll see that...
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Introduce the Hero or Villain First?

The next time you watch a movie, look to see how that movie introduces the hero and villain. Most movies introduce the hero first and...
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Don’t Forget the Secondary Characters

There’s a New Zealand animated film called “Mosely,” which is about beasts of burden that are strong like horses but intelligent and able to talk...
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Make the Conflict Physical and Emotional

Watch a bad James Bond movie and it’s all mindless action. There’s only so much car crashes, gunfire, and explosions you can watch before it...
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